翻訳と辞書
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・ Ryoken Kawagishi
・ Ryoki Inoue
・ Ryokichi Minobe
・ Ryokiteki na Kanojo (Japanese television drama)
・ Ryoko
・ Ryoko Eda
・ Ryoko Kizaki
・ Ryoko Kobayashi
・ Ryoko Kuninaka
・ Ryoko Mima
・ Ryoko Moriyama
・ Ryoko Nakano
・ Ryoko Sekiguchi
・ Ryoko Shinohara
・ Ryoko Shiraishi
Ryoko Suzuki
・ Ryoko Tanami
・ Ryoko Tani
・ Ryoko Tokuno
・ Ryoko Watanabe
・ Ryoko Yamagishi
・ Ryoko Yano
・ Ryoko Yonekura
・ Ryokpo Station
・ Ryokpo-guyok
・ Ryokuchi-kōen Station
・ Ryokuentoshi Station
・ Ryom Chun-ja
・ Ryom-Verzeichnis
・ Ryoma Ansatsu


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Ryoko Suzuki : ウィキペディア英語版
Ryoko Suzuki

Ryoko Suzuki (born 1970) is a contemporary Japanese artist, using photography as her main medium. Her work uses highly constructed images to comment on the designated social roles of women living in contemporary Japan.〔(【引用サイトリンク】title=Ryoko Suzuki: Anikora – Seifuku )
Born in 1970 in Hokkaido, Japan. In 1990 she graduated from Junior College of Art at Musashino Art University, Tokyo and in 1999 she graduated from Sokei Academy of Fine Art,Tokyo.〔(【引用サイトリンク】title=Ryoko Suzuki )
The photographs of the artist concern the homogenized standards of beauty on display in mainstream visual culture. Her photographs approach the issue of how women and girls are represented in society and the media, literally comparing her own image to cartoon sex objects of contemporary popular culture. In her series ''Anikora'', Suzuki adapts the idol collage (''aidoru koraju''), often used to superimpose famous women's faces onto nude bodies. In the work she collages her own face over anime torsos.
In 2007, her work was recognized through its inclusion in a major international survey, “Global Feminisms" at the Brooklyn Museum, New York.〔
==References==




抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Ryoko Suzuki」の詳細全文を読む



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